Toutsur la voie 520 BOULEVARD JULES DURAND, 76600 LE HAVRE : Toutes les entreprises domiciliées 520 BOULEVARD JULES DURAND, 76600 LE HAVRE. search; account_circle; EdgarDegas (UK: / ˈ d eɪ ɡ ɑː /, US: / d eɪ ˈ ɡ ɑː, d ə ˈ ɡ ɑː /; born Hilaire-Germain-Edgar De Gas, French: [ilɛːʁ ʒɛʁmɛ̃ ɛdɡaʁ də ɡa]; 19 July 1834 – 27 September 1917) was a French Impressionist artist famous for his pastel drawings and oil FEIGENBAUMGail, BOGGS Jean Sutherland, Degas and New Orleans. A French Impressionist in America, New Orleans Museum of Art, 1999. KOSTENEVICH Albert, Bouguereau to Matisse. French Art at the Hermitage 1860-1950, Londres, Booth Blibborn, 1999. cash. Impressionism, a historical reconstruction Camille Pissarro 1830-1903 of his exhibited works Introduction On this page you will find an account of the paintings that Camille Pissarro exhibited at the 8 impressionist’ expositions and at the Salon. There will be references to the Catalogue Raisonné of 1939 =R126 and the Critical Catalogue of Paintings of 2005 =R116. For the correspondance between these numbers see R116,III,p953-5. There will also be references to the catalogues of prints by Delteil of 1923 R138XVII and Beraldi of 1891 R85XI. The first impressionist’ exposition 1874 catalogue numbers 136-140 in total Pissarro Camille exhibited 5 works, all oil paintings 2x indication of place 2x indication of time, season or weather 0x a study 0x loans appartient à…. See for the suggestions of Dayez / Adhémar R87,p249/250; See for the suggestions of Moffett R2,p122; See for the suggestions of Berson R90II,p11/2+27; they refer to the Catalogue Raisonné of Ludovic Pissarro and Lionello Venturi of 1939 =R126, referred to as CR. See for the suggestions of the Critical Catalogue of Paintings of Joachim Pissarro & Claire Durand-Ruel Snollaerts of 2005, page 362 of Volume I and the numbers of the CCP =R116. The list comparing the CCP numbers with the CR numbers is in Volume III, p953-959 See link for the pictures. 1874 catalogue R2,p122; iR1 1IE-1874-136, Le Verger Adhémar, Moffett and Berson suggest with a perhaps CR153 R2,p137 = CCP248. The CCP suggests because and Leroy and Castagnary refer to cabbages choux R116,CCP294;R2,p137. Leroy mentioning les Choux’ suggests this was the title of the work exhibited R87,p260, which could suggests a work exhibited outside the catalogue. But Castagnary explicitly refers to the title les terres maraîchères le Verger’ which means market garden land the orchard’ R87,p265. Leroy more often made his own title, see champs labouré’ for Gelée blanche’; R87,p259. So maybe le verger’ wasn’t such a good title, more referring to fruit trees. It’s probably because of the title that Adhémar, Moffett and Berson suggested CR153=CCP248. Now 1873, CCP294, The Cabbage Field, Pontoise, 60×80, MTB Madrid iR2,R116. 1IE-1874-137, Gelée blanche Adhémar, Moffett and Berson suggest CR203 R2,p138 = CCP285. The CCP also suggests Now 1873, CCP285, hoarfrost at Ennery, 65×93, Orsay iR2;iR59;R2,p138;R116. Castagnary 1874/04/29 marks the ’trees that are placed outside the frame’ and also writes His synthesising gaze embraces the whole at a glance.’ R116II,p226;R2,p138. The painting depicts the old road to Ennery R2,p138. This work was bought by Fauré 1874/10/02 R116II,p226;R2,p138. 1IE-1874-138, Les Châtaigners à Osny Adhémar, Moffett and Berson suggest CR236 R2,p139 = CCP313. The CCP also suggests Now 1873ca, CCP313, Chestnut Trees at Osny, 65×81,private iR2;iR59;R2,p139;R116. Also exhibited as no. 64 in 1883 at the solo exhibition organised by Durand-Ruel R116II,p247. 1IE-1874-139, Jardin de la ville de Pontoise Adhémar, Moffett and Berson suggest with a perhaps CR257 in a private collection in Honolulu R2,p122 = CCP347. The CCP suggests just as Venturi R126;R90II,p12. I render this suggestion of the CCP as probably’ exhibited. Now 1873, CCP309, The Municipal Garden, Pontoise, 60×73, Hermitage iR2;iR59;R116. Pissarro lived close by at 16, rue Malebranche now 18, rue Revert. Maybe CR257=CCP347 was painted after the 1st impressionist’ exposition. I will render this one as second options as maybe’ exhibited. There were no reviews R90II,p12. 1IE-1874-140, Une Matinée du mois de juin Adhémar, Moffett and Berson suggests CR224 in the Staatliche Kunsthalle in Karlsruhe R2,p122 = CCP312. The CCP also suggests Now 1873, CCP312, Morning in June, Saint-Ouen-l’Aumône, 55×91, SKh Karlsruhe, iR2;iR59;R116. It was also exhibited in 1877 in Pau R116I,p362. André Gorse then wrote Seldom have I seen a deeper, more harmonious sky… it has a naïve simplicity’. The painting depicts the only remaining corner tower of the former 13th century abbey and later estate of Maubuisson at Saint-Ouen-l’Aumône. R116II,p246. The second impressionist’ exposition 1876 catalogue numbers 197-208 in total Pissarro exhibited 12 works, all oil paintings 8x indication of place 5x indication of time, season or weather 0x a study 1x loan appartient à… à M. Chocquet See for the suggestions of Moffett R2,p164 and Berson R90II,p43+61/2; they refer to the Catalogue Raisonné of Ludovic Pissarro and Lionello Venturi of 1939, referred to as CR =R126. See for the suggestions of Joachim Pissarro & Claire Durand-Ruel Snollaerts Volume I of the Critical Catalogue of Paintings of 2005, page 362 and the numbers of the CCP =R116. See link for the pictures. 1876 catalogue R2,p164; iR1 2IE-1876-197, Printemps, soleil couchant Moffett suggests with a perhaps CR336 = CCP437, now 1876, CCP437, Sunset effect, L’Hermitage, Pontoise, 46×55, private iR10;iR48;R116. The CCP doesn’t give a suggestion, nor does Berson who refers to the reviews of Silvestre and Rivière R90II,p43. Rivière / Dax just mentions the title and calls it very beautiful R90I,p70. Silvestre renders the title as one of the very interesting paintings R90I,p109. Maybe CCP246 and 248 are options, depicting a Spring landscape with a setting sun. They are made in 1872, so I thing CCP437 is the best option. 2IE-1876-198, Un étang à Montfoucault Mayenne Moffett suggests with a perhaps CR268 in a private collection in Switzerland R2,p183, Berson follows = CCP371, now 1874, CCP371, The Pond at sunset, Montfoucault, 54×66, private Switzerland iR59;iR2;R2,p183;R116. The CCP doesn’t give a suggestion. Silvestre renders the title as one of the very interesting paintings R90I,p109. There were no other reviews R90I,p43. Pissarro rendered the pond at Montfoucault many times R116,CCP96/371/372/373/390/426/428/429/430/665, the last one painted in 1881 is no option. CCP96 was made around 1864 and therefor a lesser option. CCP371 explicitly renders a sunset, what is not in the catalogue title, I therefor think it is a lesser option. CCP372 and 373 are better options. CCP390 is made in winter. CCP426 is suggested for CCP428 is a good option being painted in the same time as CCP426. CCP429 is a large painting 114×110 and would likely have been reviewed more often. CCP430 is made in winter. Apart from CCP371 I will also render CCP372 and 428 as options. 2IE-1876-199, Gelée blanche avec Brouillard ; appartient à M. Choquet sic Moffett suggests CR246 = CCP331, Berson follows. The CCP also suggests Now 1874, CCP331, Brouillard Fog, 54×65, private iR10;iR94;R116 Chocquet collection. 2IE-1876-200, Neige, coteaux de l’Hermitage Pontoise Moffett suggests CR238 in a private collection R2,p156, Berson follows = CCP327. The CCP also suggests Now 1874, CCP327, Effect of snow at the L’Hermitage, Pontoise, 55×66, private, iR2;iR59;R2,p156;R116. 2IE-1876-201, Fermes à Montfoucault Moffett suggests CR274 in Musée d’Art et d’Histoire in Geneva, Berson follows = CCP377. The CCP also suggests Now 1874, CCP377, Farm at Montfoucault, 60×74, MAH Geneva, iR2;iR59;R116. 2IE-1876-202, Les coteaux du Choux Eng. les coteaux means the hillside. Choux can refer to Chou a Hamlet close to Pontoise, but also means cabbages, see also 1IE-1874-136. Moffett suggests with a perhaps CR370 in the Metropolitan = CCP474, but this work never has been in the Metropolitan and it doesn’t depict the sente du Chou’. Maybe Moffett refers to 1874, CCP354=CR260, Woman herking a cow, View of the Côte du Valhermeil, Auvers-sur-Oise, 55×92, Metropolitan iR2;iR59;R116. Berson also renders this suggestion based on subject and date, there were no reviews R90I,p43. This work was known as a landscape on the road to Chou, which seems to be incorrect R116,CCP354. The CCP doesn’t give a suggestion. The CCP writes that Gène-Mur minutely described this picture in La Correspondance française 1876/04/16 in a review titled revue artistique les impressionnistes’ R116I,p362. I haven’t found this review yet, Berson doesn’t render it R90I. When Chou refers to the Hamlet CCP290 is an option. When it refers to cabbages CCP301 can be an option. 2IE-1876-203, Le berger Moffett suggests with a perhaps CR366, Berson follows = CCP426. The CCP suggests also Now 1875-6, CCP426, The shepherd at Montfoucault, sunset, 58×72, A1993/11/29 iR10;R116. 2IE-1876-204, Effet de neige à Pontoise Moffett doesn’t give a suggestion, nor does Berson; there were no reviews R90I,p43. The CCP doesn’t give a suggestion. Options are CCP 279, 280, 284, 323, 328, 329, 330, 332, 392, 393. I will render 4 more recent works CCP329, 332, 392 and 393. 2IE-1876-205, Effet de neige, coteaux d’Osny Moffett doesn’t give a suggestion, nor does Berson; there were no reviews R90I,p43. The CCP suggests I follow. 2IE-1876-206, Les jardins de l’Hermitage Moffett doesn’t give a suggestion, nor does Berson; there were no reviews R90I,p43. The CCP doesn’t give a suggestion. Options are CCP 321, 342, 449. The last one was exhibited as 4IE-1879-182. The other two I render as uncertain options. 2IE-1876-207, Paysanne Moffett doesn’t give a suggestion, nor does Berson; there was a review of Blémont R90I,p43, who just writes His Paysanne is a little better.’ R90I,p64. The CCP doesn’t give a suggestion. Options are CCP368, 369, 420, I will render these. Other lesser options are CCP337, 355. 2IE-1876-208, Village d’Hermitage Moffett doesn’t give a suggestion, nor does Berson; there were no reviews R90I,p43. The CCP doesn’t give a suggestion. Pissarro very often depicted l’Hermitage, a quarter of Pontoise. The next works are the best options, because they depict more the village as a whole CCP 348, 356, 410, 411, 412. I just render CCP356 and 412. The third impressionist’ exposition 1877 catalogue numbers 163 – 184 so in total Pissarro Camille exhibited 22 works 18x indication of place; Côte Saint-Denis, Pontoise no. 163+164+165; Jardin des Mathurins, Pontoise Montbuisson, Pontoise l’Hermitage, Pontoise Bord de l’Oise Montfoucault 4x indication of time, season or weather 0x a study 8x loans appartient à… 3x M. C… = Caillebotte; 4x = Ernest Hoschedé; 1x See for the suggestions of Moffett R2,p206 and Berson R90II,p80/1+98-100; they refer to the Catalogue Raisonné of Ludovic Pissarro and Lionello Venturi of 1939, refered to as CR =R126; he also refers to Brettell a day in the country =R17. See for the suggestions of Volume I of the Critical Catalogue of Paintings of Joachim Pissarro & Claire Durand-Ruel Snollaerts of 2005, page 362 and the numbers of the CCP =R116. See link for the pictures. 1877 catalogue R2,p206; iR1 3IE-1877-163, Côte Saint-Denis à Pontoise, appartient à Moffett suggests with a perhaps CR384 in the Musée d’Orsay in Paris, referring to Brettell and part of the Caillebotte bequest R2,p199, Berson follows = CCP489. The CCP also suggests Now 1877, CCP489, Red roofs, côte Saint-Denis, Pontoise, winter effect, 55×66, Orsay iR2;iR59;R2,p199;R116, Part of the Caillebotte inheritance. 3IE-1877-164, Le verger, côte Saint-Denis, à Pontoise Moffett suggests with a perhaps CR380 in the National Gallery in London, referring to Brettell R2,p193, Berson follows = CCP488. The CCP also suggests Now 1877, CCP488, Côte des Boeufs, Pontoise, 115×88, NG London iR2;iR59;R2,p193;R116. 3IE-1877-165, Sous-bois, côte Saint-Denis, à Pontoise Moffett suggests CR371 in a private collection in Paris, Berson follows = CCP451. This work doesn’t depict a hillside more just a forest. The CCP suggests I will follow this suggestion. 3IE-1877-166, Jardin des Mathurins, à Pontoise Moffett suggests CR349 in the Nelson-Atkins Museum of Art in Kansas City R2,p231, Berson follows = CCP448. The CCP also suggests Now 1876, CCP448, Garden at Les Mathurins, 113×165, NAMA Kansas City iR59;iR2;R2,p231;R116. The garden belonged to the Deraismes Sisters. Part of the De Bellio collection. 3IE-1877-167, Coin du Jardin des Mathurins, à Pontoise Moffett suggests CR394 or 396, referring to Brettell, Berson follows = CCP503 or 504 . The CCP suggests Now 1877, CCP503, In the Garden at Les Mathurins, 165×125, private iR2;R116. I will also render CCP504 CCP504, 1877, A corner of the garden at Les Mathurins, Pontoise, 55×46, Orsay iR10;iR6;R116,CCP504;R90II,p80;R2,p206;M1. There were no reviews. 3IE-1877-168, Sentier près les Mathurins, à Pontoise Moffett suggests with a perhaps CR310 in the Kunstmuseum in Basel, Berson follows = CCP407. Now 1875, CCP407, View of the Côte des Gratte-Coqs, Pontoise, 39×56, Km Basel iR10;R116. On the left is the footpath to what is now Rue Maria-Deraismes, so probably it is close to the garden or estate les Mathurins. The CCP doesn’t give a suggestion. There was a review in Le Moniteur universal, wherin only the title was mentioned R90I,p169. 3IE-1877-169, Verger de Montbuisson, à Pontoise Moffett suggests with a perhaps CR342 or 345, referring to Brettell, Berson follows = CCP440 or 442. The CCP suggests referring also to some sketches R116,II,p352. Now 1876, CCP442, The orchard at Maubuisson, Pontoise, 38×46, private iR10;R116. Also exhibited as 4IE-1879-174. Part of the Murer collection. As a more uncertain option I will also render CCP440 CCP440, 1876, The Jardin de Maubuisson, Pontoise, sunshine, 46×55, Barnes iR10;iR6;R116,CCP440;R90II,p169;R2,p206;M25. There were no reviews. 3IE-1877-170, Vue de Saint-Ouen-l’Aumône, appartient à M. H… Moffett suggests CR344, Berson follows = CCP441. The CCP also suggests Now 1876, CCP441, Saint-Ouen-L’Aumône viewed from the Côte des Gratte-Coqs, 58×80, Yale New Haven iR59;R116. Part of the Hoschedé collection HD1878/06/05-72 and later the Fauré collection. 3IE-1877-171, La plaine d’Épluches Arc-en-ciel, appartient à M. H… Moffett suggests CR409 in Rijksmuseum Kröller-Müller in Otterlo R2,p232, Berson follows = CCP495. The CCP also suggests Now 1877, CCP495, The Rainbow, Pontoise, 53×82, KMM Otterlo, iR2;iR59;R2,p232;R116. Part of the Hoschedé collection HD1878/06/05-71 and later the Fauré collection. 3IE-1877-172, Bord de l’Oise en automne, appartient à M. Ch… Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion. Nor does Berson, who refers to a review in the Petite République française R90II,p81, who just calls it a remarkable painting R90I,p176. To compare I render Compare CCP453, Rider on the banks of the Oise, Saint-Ouen-l’Aumône, overcast sky, 54×64, Boijmans Rotterdam iR10;iR6;R116,CCP453;R2,p206;M70, a work probably bought from the artist by Eugène Leroux around 1877, what contradicts the loan by M. Ch… 3IE-1877-173, Bord de l’Oise, route d’Auvers Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion. Nor does Berson, who refers to a review in the Petite République française R90II,p81, who just calls it a remarkable painting R90I,p176. I render 2 uncertain options Maybe CCP303, 1873, Route d’Auvers on the banks of the Oise, P, 38×58, Indianapolis MA iR10;iR6;R116,CCP303;R2,p206;M161 = sale HD1896/04/29-42; and more uncdrtain CCP456, 1876, Le quai du Pothuis à Pontoise, 46×55, A2014/05/06 iR11;R116,CCP456;R2,p206. 3IE-1877-174, Place de l’Hermitage à Pontoise Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion. Berson leaves out this work which means there were no reviews. As an uncertain option I render CCP436, 1876, A Crossroads at l’Hermitage, Pontoise, 38×46, MuMa Le Havre HW18;R116,CCP436;R2,p206;M15. 3IE-1877-175, Grand poirier, à Montbuisson, appartient à M. H… Moffett suggests CR383, referring to Brettell = CCP493. This work is not in the Bretell catalogue, the reference is unclear; R17. The CCP suggests = CR389, which Berson also sugggests. Now 1877, CCP492, Pear Trees in bloom, orchard at Pontoise, 61×72, private iR10;iR94;R116 Part of the Hoschedé collection, maybe HD1878/06/05-64, Les poiriers, 60×72 R90II,p81. I will also render CCP493 as a more uncertain option. 3IE-1877-176, Paysage avec ruine automne, appartient à M. H… Moffett doesn’t give a suggestion. Berson leaves out this work which means there were no reviews. The CCP suggests Now 1874, CCP335, Fog, Pontoise, 46×56, xx iR94;iR10;R116 Was part of the Hoschedé collection. Note the CCP335 doesn’t depict a ruin and the CCP depicts this work together with others made early winter 1874, all this makes this suggestion quite uncertain. As an uncertain alternative I render CCP410, 1875, Houses at l’Hermitage seen from Rue de la Côte-du-Jalet, Pontoise, 61×71, private iR135;iR10;R116,CCP410;R2,p206; the first house on the right seems ruined; compare also CCP348. 3IE-1877-177, Bord de l’Oise, marine Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion. Berson leaves out this work which means there were no reviews. As an uncertain option I render CCP459, 1876, Tug-boat and berges on the Oise, Pontoise, 38×56, Chapel Hill AAM iR6;iR10;R116,CCP459;R2,p206. 3IE-1877-178, Basse-cour, pluie Moffett doesn’t give a suggestion. Berson leaves out this work which means there were no reviews. The CCP suggests Now 1877, CCP497, The hens, barnyard at the Red house, Pontoise, 33×41, private iR10;iR94;R116. Note This painting depicts more sunlight than rain, so I render it as a more uncertain option. 3IE-1877-179, Vue de l’Hermitage Moffett suggests with a perhaps CR350 =CCP449 in a private collection in Paris, referring to Brettell, Berson mentions this suggestion, but leaves it unidentified. There were no reviews. The CCP doesn’t give a suggestion and suggests CCP449 for 4IE-1879-182. I therefor render another uncertain option CCP405, 1875, Chemin montant, Rue de la Côte-du-Jalet, Pontoise, 54×65, Brooklyn MA iR10;M65;R2,p206;R116,CCP405; and also CCP322, 1873, View of Pontoise, 53×81, private iR10;iR7;R116,CCP322,R2,p206. Compare also CCP348 and CCP410. 3IE-1877-180, La Moisson, appartient à M. C… Moffett suggests CR364 in Musée d’Orsay, part of the Caillebotte bequest R2,p233, Berson follows = CCP465. The CCP also suggests Now 1876, CCP465, Harvest at Montfoucault, 65×93, Orsay iR2;iR59;R2,p233;R116. Caillebotte collection. 3IE-1877-181, Allée sous-bois, à Montfoucault, appartient à M. C… Moffett suggests with a perhaps CR282 in a private collection in Paris, referring to Brettell, Berson follows = CCP383. The CCP also suggests Now 1874, CCP383, Landscape with Rocks, Montfoucault, 66×93, A2000/11/09 iR2;iR14;R116 Caillebotte collection. 3IE-1877-182, Un friche, à Montfoucault Moffett doesn’t give a suggestion. Berson leaves out this work which means there were no reviews. The CCP suggests with a ? Now 1874, CCP374, Piette’s Home on Montfoucault, 46×55, private iR2;R116. Friche means waste land. 3IE-1877-183, Paysage Moffett doesn’t give a suggestion, nor does Berson who refers to a review in the La Petite Republique, where it is only called remarkable R90I,p176. The CCP suggests with a ?, referring to a drawing R116II,p352. Now 1877, CCP496, Gust of wind, Auvers-sur-Oise, 38×46, A1996/04/30 iR10;iR94;iR15;R116. 3IE-1877-184, La plaine, à Pontoise Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion. Berson leaves out this work which means there were no reviews. I render two uncertain options CCP319, 1873, Open fields with haystacks near Pontoise, 38×55, xx iR10;iR166;R116,CCP319;R2,p206; and CCP484, 1877, Terre labourée en hiver, avec un homme portant un fagot, 38×46, A2015/02/04 iR11;R116,CCP484;R2,p206. The fourth impressionist’ exposition 1879 catalogue numbers 167-204+hc one work was exhibited outside the catalogue =hors catalogue=hc in total Pissarro Camille exhibited 39 works; 23x oil paintings, 4x pastel 12x fans 12x indication of place 17x indication of time, season or weather 1x a study 23x loans appartient à… 6x M. M… 3x M. G… 1x Mlle T… 7x 3x Mlle L… 1x M. Ch… 1x Mlle C… probably Mary Cassatt; 1x M. C See for the suggestions of Moffett R2,p269/270 and of Berson R90II,p117-120+137-141; They refer to the Catalogue Raisonné of Ludovic Pissarro and Lionello Venturi of 1939, referred to as CR =R126. See for the suggestions of Volume I of the Critical Catalogue of Paintings of Joachim Pissarro & Claire Durand-Ruel Snollaerts of 2005, page 362 and the numbers of the CCP =R116. See link for the Moffett doesn’t give a suggestion, nor does Berson; there were no reviews R90I,p117. The CCP suggests Now 1875, CCP394, La Maison Rondest sous la neige, Pontoise, 46×39, private iR2;R116. There is a hillside seen through the alley, but I don’t know if this is the côte du Palais-Royal. 4IE-1879-171, Effet de neige et glace effet de soleil Eng Snow and ice effect sun effect. Moffett doesn’t give a suggestion, nor does Berson; there were no reviews R90I,p117. The CCP doesn’t give a suggestion. I render two uncertain options CCP390, 1874, The pond at Montfoucault, effect of winter, 60×73, private iR10;iR166;R116,CCP390;R2,p270; and CCP430, 1875, The pond at Montfoucault in winter, effect of snow, 114×110, Yamagata MA iR10;iR166;R116,CCP430;R2,p270;M128. 4IE-1879-172, Effet de soleil, Boulevard Clichy esquisse Moffett doesn’t give a suggestion, nor does Berson; there were no reviews R90I,p117. The CCP suggests or 618 with a ?. 1879, CCP618, The Outer Boulevards, Snow Effect, 54×65, Marmottan iR2;R116; and CCP619, 1879ca, Boulevard de Rochechouart, snowy weather, 55×46, private iR10;iR64;R116,CCP619;R2,p270. 4IE-1879-173, Sous-bois en été Moffett suggests CR489 in the Cleveland Museum of Art or CR455 in a private collection in Paris R2,p287 = CCP597 or 564, Berson follows. They both suggest these works also for no. 168. The CCP suggests CCP597 and reserves CCP564 for no. 184. I follow the CCP 1879, CCP597, In the woods at l’Hermitage, Pontoise, 125×163, Cleveland MA iR2;iR59;R2,p270+287;R116,CCP597;R90II,p117+137;M27. 4IE-1879-174, Le verger de Maubuisson ; appartient à M. M… Moffett suggests CR345 = CCP442, Berson follows. The CCP also suggests Now 1876, CCP442, The orchard at Maubuisson, Pontoise, 38×46, private iR10;R116 Murer collection. 4IE-1879-175, Château des Mathurins, soleil couchant ; appartient à M. M… Moffett suggests CR397 = CCP507, Berson follows. The CCP also suggests Now 1877, CCP507, Les Mathurins, Pontoise, 73×59, A2006/11/09 iR11 Murer collection. 4IE-1879-176, Automne, soleil couchant ; appartient à M. M… Moffett doesn’t give a suggestion, nor does Berson; there were no reviews R90I,p118. The CCP suggests Now 1877, CCP535, Le vieux chemin en automne, Pontoise, 73×59, private iR10;iR64;R116. Murer collection. 4IE-1879-177, Les peupliers, matinée d´été ; appartient à M. M… Moffett doesn’t give a suggestion, nor does Berson; there were no reviews R90I,p118. The CCP doesn’t give a suggestion. As an uncertain option I render CCP600, 1879ca, Landscape at Pontoise Fond de Saint-Antoine, 41×33, A2015/05/15 iR10;iR6;iR15;R116,CCP600;R2,p270. 4IE-1879-178, paysage en février, femme revenant de la Fontaine ; appartient à M. G… Moffett suggests with a perhaps CR480 in the Ny Carlsberg Glyptotek in Copenhagen = CCP579, Berson follows. The CCP also suggests Now 1878, CCP579, Landscape with tall trees, 73×54, NCG Copenhagen iR10;iR94;R116 Gauguin collection. 4IE-1879-179, Les meules ; appartient à M. G… Moffett doesn’t give a suggestion, nor does Berson; there were no reviews. The CCP suggests Now 1878, CCP574, Peasants and haystacks in a field, 54×65, private iR10;iR94;R116 Gauguin collection. 4IE-1879-180, Le potager ; appartient à Mlle T. Moffett doesn’t give a suggestion, nor does Berson; there were no reviews R90I,p118. The CCP suggests with a ?. Now 1878, CCP577, Kitchen garden at the Jardin de Maubuisson, Pontoise, 55×46, Tokyo BMA iR10;R116. 4IE-1879-181, L’Hermitage, Vue de ma fenêtre ; appartient à M. G. C… Moffett doesn’t give a suggestion, nor does Berson; there were no reviews R90I,p118. The CCP suggests Now 1877, CCP489, The red roofs, Côte Saint-Denis, Pontoise, winter effect, 55×66, Orsay iR2;R116. Gustave Caillebotte collection. 4IE-1879-182, Vue de l’Hermitage ; appartient à M. Moffett doesn’t give a suggestion, nor does Berson; there were no reviews R90I,p118. The CCP suggests Now 1876, CCP449, Jardin en fleurs, L’Hermitage, vu depuis la côte Saint-Denis, 39×556, private iR10;iR94;R116. Gustave Caillebotte collection. 4IE-1879-183, Printemps, pruniers en fleurs ; appartient à M. Moffett suggests CR387 in Musée d’Orsay R2,p247 = CCP494, Berson follows. The CCP also suggests Now 1877, CCP494, Kitchen Garden de Maubuisson Trees in Blossom, Spring, 65×81, Orsay iR2;iR59;R2,p247;R116. Gustave Caillebotte collection. 4IE-1879-184, Petit bois de peupliers en plein été ; appartient à M. Moffett doesn’t give a suggestion, nor does Berson, who leaves out the work, which means there were no reviews. The CCP suggests Now 1878, CCP564, Lisière de bois edge of the wood, 63×83, A2008/06/24 iR11;R116 Caillebotte collection. Moffett and Berson suggest this work as an option for and no. 173. 4IE-1879-185, Planteurs de choux ; appartient à M. Moffett doesn’t give a suggestion, nor does Berson; there were no reviews R90I,p. The CCP suggests Now 1875, CCP399, The cabbage harvest, L’Hermitage, 54×65, Cincinnati AM iR10;iR94;R116. Gustave Caillebotte collection. Note the difference between planting and harvesting in the titles. 4IE-1879-186, Port-Marly ; appartient à M. Moffett doesn’t give a suggestion. Berson leqves it unidentiefied and refers to reviews of Sébillot and Silvestre 16 + 24 April. The CCP suggests Now 1872, CCP229, La Seine à Port-Marly, le lavoir, 47×56, Orsay iR10;iR64 Caillebotte collection. 4IE-1879-187, Petit bois, poules et canards ; appartient à M. M… Moffett suggests CR441 = CCP578, Berson follows. The CCP also suggests Now 1878, CCP578, The path to Les Pouilleux, Pontoise, 73×60, private iR10;iR6;iR64;R116. Murer collection. 4IE-1879-188, Côte des Brouettes, temps gris Moffett suggests CR314 = CCP414, Berson follows. The CCP also suggests Now 1875, CCP414, Landscape at Pontoise, overcast sky, 54×65, private iR2;R116. Formerly thought to be the Côte des Grouettes’. Fans / éventails The CCP doesn’t give suggestions because the fans are no paintings. 4IE-1879-189, L’Hiver, retour de la foire, Éventail ; appartient à M. Eng. Winter, return from the fair, Fan. Moffett suggests CR1626, Berson follows, now 1878, CR1626, Winter, Return from the Fair, fan, 25×54, xx iR155;iR10;R90II,p118+139;R2,p270;R126,no1626. 4IE-1879-190, L’Hiver, environs de Lower Norwood, Londres, éventail ; appartient à Mlle L… Moffett suggests a work in the Museum of Fine Arts in Springfield R2,p249, Berson follows and adds it was not in the CR 1870s, CR-, Winter, the Outskirts of Lower Norwood, fan, 25×54, Springield MFA M164;iR10;R90II,p118+139;R2,p249. 4IE-1879-191, Laveuses, Éventail ; appartient à Mlle L… Moffett suggests with a perhaps CR1617, referring to Gerstein Degas’s fans, 1978/82, Berson follows, now 1880-81ca, CR1617, Laundresses on the Banks of the Oise at Pontoise, gouache on silk, 15×53, private iR2;R2,p270;RII,p118+139;R126,no1617;R116II,p385. 4IE-1879-192, Soleil couchant, Éventail, appartient à M. G. C… Moffett suggests CR1625 in a private collection in Paris, referring to Gerstein Degas’s fans, 1982, Berson follows, now 18xx, CR1625, Travailleurs dans les champs, fan, 15×54, private R90II,p139+118;R2,p270;R126,no1625. To compare I also render 1889, Le troupeau de moutons, soleil couchant, fan, xx, private Mexico iR10;R2,p270; and 18xx, Femmes travaillant dans le champs, Pontoise, fan, gouache on silk, 15×54, A2019/10/17 iR14;iR10;iR41;R2,p270. 4IE-1879-193, Meule, semeur, Éventail Eng. Millstone, Sower, Fan. Moffett suggests CR1614, Berson follows = 1879, CR1614, La vie aux champs Meule et semeur, fan, gouache, 26×54, A1999/05/13 iR13;R2,p270;R90II,p118+139;R126,no1614. 4IE-1879-194, Clair de lune, Éventail Moffett suggests CR1611, Berson follows, now 18xx, CR1611, Moonlight, fan gouache + silver, 17×54, xx R90II,p139+118;R2,p270;R126,no1611. To compare I also render 1890ca, Landscape moonlight, fan, xx, IM Jerusalem iR10;iRx;M130;R116,p343;R2,p270. 4IE-1879-195, Vue de Pontoise, Éventail, appartient à Mlle L… Moffett suggests CR1610, Berson follows, now 18xx, CR1610, Paysannes à Pontoise View on Pontoise, fan, 16×55, private R90II,p140+118;R2,p270;R126,no1610. To compare I also render 18xx, Le printemps, fan, gouache silk, 24×53, A2007/06/20 iR10;aR1;iR64;R2,p270; and 18xx, Vaches au pré, Pontoise au lointain, fan, 15×55, Axx iR10;iR85;R2,p270. . 4IE-1879-196, La grande route, printemps, Éventail Moffett doesn’t give a suggestion. Berson suggests CR1615 R90II,p119, now 18xx, CR1615, Enfants jouant sur une route, fan, g, 14×54, private R90II,p140+119;R2,p270;R126,no1615. 4IE-1879-197, Pommiers en fleurs, Éventail Moffett doesn’t give a suggestion. Berson suggests CR1621 R90II,p119, now 1878, Pommiers de fleurs Coteaux de Chaponval, fan, gouache, 36×63, Orsay iR10;iR59;R90II,p119+140;R2,p270;R126,no1621;M1. 4IE-1879-198, La toilette du matin, Éventail Moffett doesn’t give a suggestion, nor does Berson. To compare I render a late monotype 1894, Woman arranging her hair detail, monotype, 20×16, Metropolitan iR10;M23;iR174;R2,p270 . 4IE-1879-199, L’étang de Montfoucault, Éventail ; appartient à M. Ch… Moffett suggests CR1609, Berson follows, now 18xx, CR1609, L’Abreuvoir de Montfoucault, fan gouache and silver, 26×56, xx R90II,p119+140;R2,p270;R126,no1609 pictures. 1880 catalogue R2,p312/3; iR1 5IE-1880-128, Le scieur de bois; appartient à M. Gauguin Moffett suggests CR499 in the Robert Holmes à Court collection in Perth R2,p329, Berson follows = CCP610. The CCP also suggests Now 1879, CCP610, Père Melon Sawing Wood, 89×116, private iR2;iR59;R2,p329;R116. 5IE-1880-129, Jardin Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion. Berson leaves it out which means there were no reviews R90II,p152. There are many uncertain options, such as CCP342, 347, 447, 502, 554, 555, 598 and 622. I render CCP502, 1877, Garden at l’Hermitage, the Red House’, Pontoise, 55×65, private iR10;iR166;R116,CCP502;R2,p312 ;and CCP622, 1880, The gardens at Le Valhermeil, Auvers-sur-Oise, 54×66, NG Prague iR10;iR6;R116,CCP622;R2,p312;M140. 5IE-1880-130, Récolte des petits pois Moffett suggests CR519, Berson follows = CCP627. The CCP also suggests Now 1880, CCP627, Harvesting peas, 60×73, private iR59;R116. 5IE-1880-131, Automne, chemin sous bois Moffett suggests CR505 R2,p330, Berson follows = CCP575. The CCP also suggests Now 1878, CCP575, A path in the woods in Autumn, Pontoise, 81×66, A2001/02/05 iR2;iR14;R116. Note Berson depicts CCP451 instead of CCP575 R90II,p169, CCP451 depicts more a summer scene. 5IE-1880-132, Paysage, route d’Ennery Moffett doesn’t give a suggestion, nor does Berson; there were two uncertain reviews R90II,p152. The CCP suggests Now 1875, CCP408, View of the Maison des Mathurins The Saint-Antoine Road at l’Hermitage, 52×81, Km Basel iR2;R116. 5IE-1880-133, Récureuse de casserole Moffett suggests CR473, Berson follows = CCP590. The CCP suggests also Now 1879, CCP590, Woman Washing a Saucepan, 73×60, private iR2;R116. 5IE-1880-134, Jardin potager Moffett suggests with a perhaps CR448 or CR451 Galleria d’Arte Moderna, Florence or CR496 Musée d’Orsay or CR514 = CCP554 or 558 or 607 or 644. Berson leaves the work unidentified, there was only one review of Trianon R90II,p152. The CCP suggests based on this review of Trianon. Now 1879, CCP607, Vegetable Garden at l’Hermitage, Pontoise, 55×66, Orsay iR2;R116. CCP644 and 554 indeed don’t fit this discription. CCP558 could fit this discription, but was exhibited in Florence in 1879 and part of the Diego Martelli collection. So I follow the CCP. 5IE-1880-135, Printemps Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion. Berson leaves it out which means there were no reviews R90II,p152. There are many uncertain options CCP 353, 397, 439, 443, 493, 505. I render CCP353, 1874, Spring morning, Pontoise, 46×55, A2010/05/04 iR11;R116,CCP353;R2,p312; and CCP443, 1876ca, Plum trees in bloom, Pontoise, 46×55, A2010/11/04 iR10;iR114;iR11;R116,CCP443;R2,p312. 5IE-1880-136, Gardeuse d’oies Mayenne ; peinture sur ciment Moffett suggests CR525 in the Tate Gallery in London, Berson follows = CCP628. The CCP also suggests Now 1880, CCP628, Young gril carding wool, on cement, 56×46, Tate London iR10;R116,CCP628;R2,p312;R90II,p152+169;M62. 5IE-1880-137, paysage d’été Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion. 5IE-1880-138, Éventail; appartient à M. Doucet Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion. Berson suggests 1882-83ca, Le pont de chemin de fer à Pontoise, fan, gouache on silk, 30×57, A2010/06/23 iR11;iR35;iR6;iR10;R90II,p152+169;R2,p313. Eaux-fortes Note 1 the etchings were reviewed by Huysmans and Silvestre 1880/04/24 R90II,p153. It is mostly uncertain which of the states Pissarro did exhibit. So most of the suggestions are with a perhaps or =!?. Note 2 Note the Critical Catalogue of paintings =R116 doesn’t give suggestions. 5IE-1880-139, Un cadre -Quatre états, du paysage faisant partie de la première livraison de la publication le Jour et la Nuit » Moffett suggests Delteil 16, Berson affirms. Now 1879, D16+B18?, Wooded landscape at L’Hermitage, Pontoise, etch, 22×27, MFA Boston iR59;R46,p125;R138XVII,no16;R85XI,p13;R90II,p169;M22 5IE-1880-140, Un cadre 5IE-1880-140-1,2,3 -Trois états, de la foire de la Saint-Martin Moffett suggests Delteil 21, Berson affirms. I render 2 states 1879, D21+B11, Foire de Saint-Martin à Pontoise, effet de pluie, etch ps, 12×16, A2016/11/03 iR11;R2,p313;R138XVII,no21;R85XI,p13;R90II,p170. I could find just 2 pictures. 5IE-1880-140-4, -Un état, pointe sèche, marchande de marrons Moffett suggests Delteil 15, Berson affirms. Now 1878, D15+B7, Marchande des marrons foire de la etch, 21×16, Metropolitan iR59;R138XVII,no15;R85XI,no7;R2,p313;R90II,p170;M23 5IE-1880-141, Un cadre 5IE-1880-141-1, Un état, paysage, route et côteaux près Laroche-Guyon Moffett suggests Delteil 27 or 5 per Loyd GBA, Berson affirms Delteil 27. Now 1880, Delteil27, Château de la Roche Guyon, 17×24, etch ps, A2016/11/03 iR11;iR59;R2,p313;R90II,p153+170. Leymaire and Melot 1971 suggest Delteil 5, now 1866ca, D5, La Roche-Guyon, etch, 27×22, xx R138XVII,no5;R90II,p153;R2,p312. I will also render this one and reserve Delteil 27 for 5IE-1880-141-2, Un état, effet de pluie Moffett suggests Delteil 24, Berson affirms. Now 1879, D24+B14, Effet de pluie Rain Effect, dry point, 35×26, Ashmolean Oxford aR2;iR11;R2,p313;R90II,p153+170;M66. 5IE-1880-141-3, -Un état, vache et figure Moffett suggests Delteil 58, Berson affirms, now 1885, D58, La vache, ps 2nd state, 12×11, A2017/09/19 iR11;R90II,p170+153;R2,p312;R138XVII,no58;R85XI,no41. I will render this work just to compare, because it is dated later, namely 1885. Leymaire and Melot 1971 suggest Delteil 27, see also R90II,p153. I will render this suggestion. To compare I also 5IE-render 1874ca, D135, Femme et enfant dans les champs, litho, 16×22 or14x19, A2016/04/15 iR11;R2,p313 5IE-1880-141-4, -Un état, pointe sèche, côteaux de l’Hermitage, Pontoise Moffett suggests Delteil 28, Berson affirms. Now 1880, D28, Paysage à l’Hermitage, Pontoise, dry point, 11×12, A2017/09/19 iR11;R2,p313;R90II,p153+170;R138XVII,no28. 5IE-1880-142, Un cadre 5IE-1880-142-1,2,3-trois états, paysage, masure Eng. three states, landscape, hovel. Nl. landschap, krot. Moffett suggests Delteil 20, Berson affirms. I render 3 states. Now 1879, D20+B12, La Masure, etch, 3rd state, 16×17, A2016/11/03 iR11;R2,p313;R90II,p153+171;R138XVII,no20;R85XI,no12 5IE-1880-142-4,5 -Deux états, paysage, arbres et coteaux Moffett suggests with a perhaps Delteil 19, Berson affirms. Now 1879, D19, Chemin sous-bois à Pontoise, etch, 16×21, BM London R90II,p171+153;R138XVII,no19;M181. I could find just one picture. 5IE-1880-143, Un cadre -Un état, petit bois à l’Hermitage, Pontoise Moffett suggests with a perhaps Delteil 17, Berson affirms. Now 1879, D17, Paysage en long, etch, 11×38, A2013/09/12 iR11;R2,p313;R90II,p153+171;R138XVII,no17. The sixth impressionist’ exposition 1881 catalogue numbers 63-90 in total Pissarro Camille exhibited 28 works 11 oil paintings; 15 gouaches; 2 pastels 13x indication of place 5x indication of time, season or weather 1x a study; 14x loans appartient à… M. M. Clapisson Mlle Cassatt M. Dreyfus no. 76; M. May M. Bérard M. Ch. Ephrussi M. Rouart M. Gauguin See for the suggestions of Moffett R2,p355 and of Berson R90II,p183/4 + 193-195; they refer to the Catalogue Raisonné of Ludovic Pissarro and Lionello Venturi of 1939, referred to as CR =R126. See for the suggestions of Volume I of the Critical Catalogue of Paintings of Joachim Pissarro & Claire Durand-Ruel Snollaerts of 2005, page 362 and the numbers of the CCP =R116. The CCP doesn’t give suggestions for the gouaches and the pastels. See link for the pictures. reviews Jules Claretie 1881/04/05 reviewed Le Clos des choux by Mr. Pissarro is, however, quite astonishing. It reminds one of Millet.’ R90I,p334. Félix Fénénon 1886/06/13-20 just mentioned part of the titles of no. 63, 64 and 71 R90I,p444. Gustave Geffroy 1881/04/19 reviewed It is mainly the impressionist landscape artists that we are thinking of at the moment. It is true that there are some beautiful pictures of M. Pisssarro in this year’s exhibition; his peasants, working under the burning lights of a summer sky, have a simple and great style; in his brilliant, deep landscapes, an implacable light vibrates. But all tones taken to the extreme have a certain monotony. Furthermore, an identical process does not render different effects. I admire la Sente du chou le Paysage d’été la Moisson but I can’t regret seeing the le Boulevard Rochechouart covered with purple and lilac spots, the meaning of which is completely lost on me.’ R90I,p342. Armand Silvestre 1881/04/11 reviewed M. Pissarro is there, it is true, and holds high the flag of the dispersed battalion. Of his twenty-eight canvases or gouaches, there is not one that deserves to be looked at ?HW. La sente des choux en mars is a work full of sincerity and accuracy. I would say the same about la Maison du passeur au choux and I love la Ravaudeuse very much. M. Pissarro reminds one of Millet without imitating him in any way.’ R90II,p365. Armand Silvestre 1881/04/16 reviewed The submission of M. Pissarro comprises no less than twenty-seven oil and gouache paintings. It is still the same sincere art, reminiscent of Millet only in the similarity of the subjects, but truly original, with a very special vision of things, but remaining absolutely correct in the tone adopted. I especially like la Sente des choux en mars , la Maison du passeur aux choux and, in lesser dimensions, la Ravaudeuse R90I,p366. 1881 catalogue R2,p354/5; R90I,p326/7;iR1 6IE-1881-63, La Sente du choux en mars; appartient à M. Moffett suggests CR452 in Musée de la Chartreuse, Douai R2,p347, Berson follows = CCP542. The CCP also suggests Now 1878, CCP542, The Path to Le Chou, Pontoise in March, 57×92 or57x92, MC Douai iR2;iR59;R2,p347;R116. Le chemin du Chou, lies in the hamlet of Chou, which is part of Pontoise iR9. 6IE-1881-64, Le clos du choux, le matin; appartient à M. J. P. Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion, nor does Berson who refers to the reviews of Claretie and Fénéon 1886. Eng. enclosed land with cabbages, morning. Pissarro often depicted cabbages. Just two also depict a closed or fenced land, namely CCP554 and 558, which I will render CCP554, 1878, Kitchen garden and orchard, Pontoise, 22×23, HM Huntington iR10;iR94;R116,CCP554;R2,p354. CCP558 was part of the Diego Martelli collection, so I will render that one to compare, CCP558, 1878, In a kitchen garden, 47×56, GAM Florence iR10;iR94;R116,CCP558;R2,p354;M105 . Neither of them clearly depict a morning scene. CCP294 does more and was exhibited as 1IE-1874-136. Another possiblility is that the title refers to the hamlet of Le Chou, see 6IE-1881-65, La côte des Grouettes, automne; appartient à M. P. Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion, Berson follows, there were no reviews R90II,p183. As uncertain options I render CCP550, 1878ca, Landscape at Pontoise Côte des Grouettes, on panel, 8×10, A2016/04/05 iR10;iR11;R116,CCP550;R126,CR460; and CCP569, 1878ca, Peasants passing each other on a road, Pontoise Côte des Grouettes, 74×60, Metropolitan iR10;iR7;R116,CCP569;R126,CR465;M23. Note I render them to compare because these works didn’t belong to a Mr. P. 6IE-1881-66 Une cour à l’Hermitage, étude, appartient à M. P. Moffett doesn’t give a suggestion. The CCP suggests or 635 with a ?. Now 1880, CCP634, La cour de la maison Rondest, Pontoise, 35×27, A2010/11/04 iR10;iR15;iR11;R116. Option 2 is CCP635, 1880, The courtyard at the rondest house, Pontoise, 54×45, OMA Kurashiki iR10;iR94;R116,CCP635;M129. Note these works didn’t belong to a Mr. P. Berson leaves the work unidentified, there were no reviews R90II,p183. 6IE-1881-67 Paysage d’été avec figures; appartient à M. P. Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion, nor does Berson, who refers to the review of Geffroy. Most pictures that fit this title, are pictures of people harvesting. I found two other pictures, that I will render to compare, they both weren’t part of the collection of Mr. P. CCP636, 1880, La récolte Côte des Grouettes, Pontoise, 46×56, A2010/02/02 iR11;R116,CCP636;R126,CR517; and CCP638, 1880, Peasant woman in a field, Pontoise, 47×65, private iR10;iR6;R116,CCP638 1891/04/22 Vignon sold this work to Durand-Ruel. 6IE-1881-68 Chaumières au Val Hermé The CCP suggests Now 1880, CCP632, Rue des Roches at Le Valhermeil, Thatched Cottages and a Cow, 60×73, private iR2;R116. Moffett suggests with a perhaps for no. 68 and 69 CR506 in a private collection or CR511 R2,p367, Berson follows = CCP639 or 631. Now 1880, CCP639, La Valhermeil, Auvers-sur-Oise, 54×65, private iR2;R2,p367;R116. 6IE-1881-69 Chaumières au Val Hermé The CCP suggests Now 1880, CCP631, Cottages at le Valhermeil, Auvers-sur-Oise, 59×73, private iR59;R116. Moffett suggests with a perhaps for no. 68 and 69 CR506 in a private collection or CR511 R2,p367, Berson follows = CCP639 or 631. Now 1880, CCP639, La Valhermeil, Auvers-sur-Oise, 54×65, private iR2;R2,p367;R116. 6IE-1881-70 La maison du passeur au Choux Eng. House of the ferryman or smuggler. Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion, nor does Berson, who refers to reviews of Silvestre 11+16/4/1881. For le Chou, see no. 63. I render a very uncertain options CCP613, 1879, Peasant woman and goat in front of a house, Pontoise, 58×70, Muskegon MA iR10;iR94;R116,CCP613. To compare I also render CCP604, 1879, Le chemin de halage, environs Pontoise, 56×46, A2001/11/06 iR11;iR15;R116,CCP604. 6IE-1881-71 Soleil couchant, la plaine du Choux Moffett doesn’t give a suggestion, nor does Berson who refers to the reviews of Fénéon 1886, Huysmans and Vernay R90II,p183. The CCP suggests citing the review of Huysmans R90I,p350. Now 1880, CCP621, Soleil couchant au Valhermeil, Aurvers-sur-Oise, 54×65, A2011/02/08 iR11;R116. 6IE-1881-72 Paysage pris sur le vieux chemin d’Ennery, près Pontoise Moffett doesn’t give a suggestion, Berson follows, there were no reviews R90II,p183. The CCP suggests Now 1880, CCP595, View from the road to Ennery, 54×65, Kanagawa PMA iR10;iR94;R116. Maybe CCP 524 also is an option CCP524, 1877, The old road to Ennery, Pontoise, 92×151, Ottawa NGC iR10;iR94;R116,CCP524;M113. 6IE-1881-73 Temps gris, automne au Val Hermé Moffett doesn’t give a suggestion. The CCP suggests with a ?. Now 1880, CCP639, La Valhermeil, Auvers-sur-Oise, 54×65, private iR2;R2,p367;R116. Note Moffett had suggested this work as an option for or 69, so did Berson. gouaches Note the Critical Catalogue of paintings =R116 doesn’t give suggestions. 6IE-1881-74 La Moisson, gouache ; appartient à M. Clapisson Eng. the harvest. Moffett doesn’t give a suggestion, nor does Berson who refers to the reviews of Geffroy, Huysmans, Michel, de Mont. Michel described of a blond, quiet and fine colour.’ R90I,p359. It reminded Huysmans of gouaches made by Ludovic Piette R90I,p351. To compare I render a pastel 1876, étude pour La moisson à Montfoucault, pastel, 21×26, A2007/02/06 iR11;iR2;R2,p355;R116,CCP465, a blond’ work made in Montfoucault, where Piette did live and resembling CCP465, exhibited as 3IE-1877-180. 6IE-1881-75 Village de la Mayenne, gouache ; appartient à Mlle Cassatt Moffett doesn’t give a suggestion, nor does Berson; there were no reviews. To compare I render another gouache with a village view 1881, Paysage à Melleray, femme donnant à boire à des chevaux, gouache, 35×46, A2015/11/05 iR11;R2,p355. 6IE-1881-76 La récolte des pommes de terre, gouache ; appartient à M. Dreyfus Moffett doesn’t give a suggestion, nor does Berson who refers to the reviews of Cardon, Enjoiras, Ganzague-Privat, de Mont., which also can refer to no. 77. They all don’t render a description. I render 1886, CR1405, The Potato Harvest, gouache, 29×41, A2018/05/10 iR11;iR15;iR6;R126,CR1405;R2,p355. This work is dat gouache on millboard, 30×42, Mellon collection Upperville R90II,p184. 6IE-1881-84 Paysan émondant, gouache Eng. Peasant pruning. Nl. boer aan het snoeien. Moffett suggests CR1340, Berson follows, adding 18xx, CR1340, Paysan émondant des branches, gouache on paper, 46×38, xx R90II,p148. 6IE-1881-85 Le retour à la ferme, gouache Moffett suggests CR1350, Berson follows, adding 1881, CR1350, Le retour des champs, gouache on paper, 25×31, xx R90II,p184. I render a similar etch 1881, Le retour des champs, etch, 25×31, xx iR10;R90II,p184+195;R2,p355;R126,CR1350 6IE-1881-86 La foire de la Saint-Martin à Pontoise, gouache Moffett suggests CR1618. Berson doesn’t agree and suggests 1881, CR1348, La marchande de marrons, foire de la Saint-Martin, Pontoise, tempera on paper, 46×37, xx R90II,p184, she refers to a review of de Charry and de Mont. 6IE-1881-87 Paysages du Val Hermé causant dans la rue, gouache Eng. Landscapes of the Val Hermé; talking in the street. Moffett suggests CR1344, Berson follows, adding 1881, CR1344, Rue de village avec trois paysannes causant à gauche Valhermeil, gouache on paper, 28×46, xx R90II,p184. 6IE-1881-88 La ravaudeuse, gouache Moffett suggests CR1355 or 1356 R2,p345, Berson follows his first suggestion, adding 1881, CR1355, Femme raccommodant des bas, gouache on paper, 32×25, private USA R90II,p184. Pastel Note the Critical Catalogue of paintings =R116 doesn’t give suggestions. 6IE-1881-89 Paysage, pastel Moffett doesn’t give a suggestion, nor does Berson who refers to the review of Trianon, who reviewed a pastel entitled “Paysage” and depicting a market in the open air R90I,p367. Maybe?? 18xx, Market at Gisors, drawing + pastel, 20×17, private iR2;R2,p355;R90I,p367. 6IE-1881-90 Boulevard Rochechouart, pastel Moffett suggests CR1545 R2,p346, Berson follows, adding 1881, CR1545, Le Boulevard de Clichy, effet de soleil d’hiver, pastel on paper, 60×75, private R90II,p184. Geffroy reviewed but I can’t regret seeing the le Boulevard Rochechouart covered with purple and lilac spots, the meaning of which is completely lost on me.’ R90I,p342. The 7th impressionist’ exposition 1882 catalogue numbers 101-136+hc2 are left out in the catalogue and there were 2 works exhibited outside the catalogue =hors catalogue = hc. Moffett and the CCP following Isaacson 1980 change the titles of I stick to the original titles. So in total Pissarro exhibited 36 works 25 oil paintings; 10 gouaches 1 détrempe =tempera; soaked wet 4x indication of place 7x indication of time, season or weather 4x a study 0x loans appartient à… See for the suggestions of Moffett R2,p395 and of Berson R90II,p208-210 + 225-228; they refer to the Catalogue Raisonné of Ludovic Pissarro and Lionello Venturi of 1939, referred to as CR =R126. See for the suggestions of Volume I of the Critical Catalogue of Paintings of Joachim Pissarro & Claire Durand-Ruel Snollaerts of 2005, page 362 and the numbers of the CCP =R116. The CCP doesn’t give suggestions for the gouaches See link for the pictures. reviews Emile Hennequin 1882/03/11 reviewed His trees, his meadows, his palisades, his land, are painted with that same severe reflection, which discolours even the cheeks of his women. On the other hand, the attitudes of his peasants and peasant women, the way they bend, sit, carry, are captured and rendered with a striking accuracy, a striking truth.'R90I,p393. Huysmans 1883 reviewed Sa Route de Pontoise à Auvers son Soleil couchant sa Vue de la prison de Pontoise with their large skies with clouds of sheep and their sprays of trees so firmly attached to the ground, are counterparts of the magnificent landscapes …. M. Pissarro has entirely freed himself from the memories of Millet; he paints his countrymen, without false grandeur, simply, as he sees them. His delicious girls in red stockings his old woman in mermotte his shepherdesses and his washerwomen his peasant women having breakfast or making grass are real little masterpieces.’ R90I,p397. Henry Robert 1882/03/05 reviewed He wanted to interpret nature as he saw it and we must be grateful to him for having had the audacity to be one of the first to raise the flag of the present revolution.’ R90I,p410. 1882 catalogue R2,p394;R90I,p377;iR1 7IE-1882-101 Causerie, Étude Moffett suggests CR530 in a private collection in Copenhagen, Berson follows and refers to the review of Hennequin, who just renders the title = CCP651. Now 1881ca, CCP651, Peasant woman chatting, 35×27, private iR10;iR48;R116. The CCP doesn’t give a suggestion and gives arguments against Moffett his choice and says it is not possible to identify this work exhibited. Still I will give Moffett his suggestion to compare. 7IE-1882-102 Route de Pontoise à Auvers Moffett doesn’t give a suggestion, nor does Berson who refers to the reviews of Robert and Huysmans, who renders a general description with their large skies with clouds of sheep and their sprays of trees so firmly attached to the ground’. The CCP suggests Now 1881, CCP645, Côte du Valhermeil, Auvers-sur-Oise, 56×92, IM Jerusalem iR2;R116. 7IE-1882-103 Étude de figure en plein air, temps gris Moffett suggests CR541 in a private collection in Oslo, Berson follows = CCP654. The CCP also suggests Now 1881, CCP654, Two young peasant girls chatting under Trees, 81×65, private iR59;R116. 7IE-1882-104 Étude de figure en plein air, effet de soleil Moffett suggests CR542 in the Toledo Museum of Art R2,p407, Berson follows = CCP655. The CCP also suggests Now 1881, CCP655, Peasant women Resting, 81×65, Toledo MA iR2;iR59;R2,p407;R116 7IE-1882-105 Paysage soleil couchant à Pontoise Moffett doesn’t give a suggestion, nor does Berson who refers to the reviews of de Biez ?; of the peasants .. pleasantly bathed by a soft reflection of the setting sun’; R90I,p380, Burty Soleil couchant près de Pontoise by Sisley; an equally sustained tone like Corot’, R90I,p382, Huysmans Soleil couchant; with their large skies with clouds of sheep and their sprays of trees so firmly attached to the ground’, Robert and Sallanches, who don’t describe this work. The CCP doesn’t give a suggestion. I render two uncertain options CCP526, 1877, Landscape at Pontoise, sunset, 53×70, private iR10;iR94;R116,CCP526;R2,p394, note the peasants are missing; and CCP541, 1878, Orchard at Pontoise, sunset, 46×55, WRM Cologne iR10;iR94;R116,CCP541;R2,p394;M55, note the sunset is not so obvious. 7IE-1882-106 Jardin potager à l’Hermitage Moffett doesn’t give a suggestion, nor does Berson; there were no reviews. The CCP doesn’t give a suggestion. Note the same title as 2IE-1876-206, for which I suggested CCP321 and 342. Compare also 5IE-1880-134, Jardin potager, probably CCP607. I render 3 uncertain options CCP644, 1881, Le jardin de Maubuisson, Pontoise, 60×74, A2009/02/03 iR11;R116,CCP644;R2,p394; and CCP598, 1879, Kitchen gardens at l’Hermitage, Pontoise, 54×65, A2010/06/18 iR10;iR6;iR11;R116,CCP598;R2,p394; and CCP696, 1882, Le jardin de Maubuisson, Pontoise, la mère Bellette, 54×65, A2013/11/05 iR6;iR11;R116,CCP696;R2,p394. 7IE-1882-107 Laveuse, Étude Moffett suggests CR513 in the Metropolitan R2,p408, Berson follows = CCP640. The CCP also suggests Now 1880, CCP640, Washerwoman Study La Mère Larchevêque, 73×59, Metropolitan, iR2;iR59;R2,p408;R116. 7IE-1882-108 Le berger et les laveuses Moffett suggests CR535, Berson follows = CCP665. The CCP also suggests Now 1881, CCP665, Shephard and women washing clothes at Montfoucault, 65×80, KM Giza Egypt iR10;R116. 7IE-1882-109 Effet de neige Moffett doesn’t give a suggestion, nor does Berson who refers to the reviews of d’Alq, Durand, de Nivelle. The last one reviewed ’the inevitable icicles that are everywhere and don’t look any prouder.’ R90I,p407. The CCP suggests Now 1882, CCP669, Effect of snow with cows at Montfoucault, 46×55, A1999/05/12 iR13;iR10;iR15;R116. 7IE-1882-110 Jeune fille faisant de l’herbe Moffett suggests CR543 in a private collection in Oslo, Berson follows = CCP657. The CCP also suggests Now 1881, CCP657, Peasant Woman Gathering Grass, 116×90, private iR2;R116. 7IE-1882-111 Jeune paysanne prenant son café Moffett suggests CR549 in the Art Institute in Chicago R2,p409, Berson follows = CCP662. The CCP also suggests Now 1881, CCP662, Café au lait the breakfast, 64×54, AI Chicago, iR2;iR59;R2,p409;R116. 7IE-1882-112 Les sarcleuses Moffett suggests CR563 with a perhaps, Berson follows = CCP671. The CCP also suggests Now 1882, CCP671, Peasant women weeding, Pontoise, 63×77, private iR10;iR94;R116. 7IE-1882-113 La moisson Note the same title as . Moffett doesn’t give a suggestion, nor does Berson who refers to the reviews of de Charry, who doesn’t describe this work. The CCP doesn’t give a suggestion. I render two uncertain options CCP360, 1874, Harvesting potatoes, Pontoise, 33×41, private iR10;iR94;aR1;iR6;R116,CCP360;R2,p394; and CCP464, 1876, Haymaking at Montfoucault, 56×92, private iR2;R116,CR464;R2,p394 Other expo’s solo DR1888-75, Brussels 1889, XX1889-1. 7IE-1882-114 La bergère Moffett suggests CR540 in Musée d’Orsay R2,p372, Berson follows = CCP653. The CCP also suggests 7IE-1882-115 Chemin montant Moffett doesn’t give a suggestion, nor does Berson; there were no reviews. The CCP doesn’t give a suggestion. I render two uncertain options CCP473, Uphill road in the countryside near Pontoise, 46×55, A1963/04/24 iR6;iR15;R116,CCP473;R2,p394; and CCP666, 1881, The path to Les Pouilleux, Pontoise, 56×47, private iR10;iR136;R116,CCP666;R2,p394; Durand-Ruel collection; note the clibing path is not so clear. 7IE-1882-116 Sentier au bois d’Ennery Moffett doesn’t give a suggestion, nor does Berson who refers to the reviews of La Fare Sentier au bois d’Emery. The CCP doesn’t give a suggestion. I render 3 uncertain options 1879, Sentier dans les bois à Pontoise, 81×66, Axx iR10;iR235;iR13;R2,p394; and CCP521, 1877, Dans le bois de l’Hermitage, 55×46, A2016/05/13 iR11;R116,CCP521;R2,p394; and CCP594, 1879, Landscape at Pontoise, fields, 46×55, private iR10;iR236;iR13;R116,CCP594;R2,p394. Another option of which I don’t have a picture is CCP596, 1879, The path, countryside around Pontoise, 55×46, private R116,CCP596. 7IE-1882-117 Paysanne et enfants revenant des champs Moffett suggests CR564, Berson follows and refers to the review of Flor = CCP692. The CCP suggests and argues why the quite similar painting CCP692 was not exhibited. Now 1881, CCP649, Peasant woman and child returning from the fields, Auvers, 46×55, NG Prague iR10;iR6;R116. 7IE-1882-118 Jeune paysanne au chapeau Moffett suggests CR548 in the National Gallery of Art in Washington R2,p410, Berson follows = CCP661. The CCP also suggests Now 1881, CCP661, young peasant girl wearing a straw hat, 73×60, NGA Washington iR2;iR59;R2,p410;R116. 7IE-1882-119 Paysanne bêchant la terre Moffett suggests CR573 with a perhaps, Berson follows and refers to the review of de Charry, who doesn’t describe the work = CCP677. The CCP mentions this work was bought by Durand-Ruel 1882/05/30 so after the exposition. The CCP suggests Now 1881, CCP646, Peasant woman digging Jardin de Maubuisson, 46×55, private iR10;iR94;R116. 7IE-1882-120 La gardeuse de chèvres Moffett suggests CR546, Berson follows = CCP656. The CCP suggests 7IE-1882-121 Vue de la prison de Pontoise Moffett doesn’t give a suggestion, nor does Berson who refers to the reviews of Huysmans, who more in genereal reviewed with their large skies with clouds of sheep and their sprays of trees so firmly attached to the ground’. The CCP suggests Now 1881, CCP641, View of the new prison peasant woman in a field, 40×26, private iR10;iR64;R116. 7IE-1882-122 La conversation Moffett refers to Isaacson 1980 the crisis of Impressionism and gives this number 123. He suggests CR544 in a private collection in Kobe, Berson follows = CCP658. The CCP probably follows this number 123 and renders CCP Now 1881ca, CCP658, The Conversation, 65×54, NMWA Tokyo iR2;iR59;R116. Moffett and the CCP render 7IE-1882-122 as Sentier sous-bois à l’Hermitage’, see 7IE-1882-136+hc1. 7IE-1882-123 left out See 7IE-1882-122. 7IE-1882-124 left out See 7IE-1882-136+hc2. 7IE-1882-125 Vue de la nouvelle prison à Pontoise Moffett suggests CR532, Berson follows = CCP643. The CCP suggests Now 1881, CCP643, View of the new prison, Pontoise, Spring, 60×74, private iR10;iR64;iR132;R116. Gouaches Note the Critical Catalogue of paintings =R116 doesn’t give suggestions. 7IE-1882-126 Paysan bêchant de terre, gouache Moffett suggests CR1349, Berson follows, adding 1881, CR1349, Paysan béchant la terre, gouache, 25×20, xx R90II,p209. 7IE-1882-127 Récolte de betteraves, gouache Eng. Beet harvest; Nl. bietenoogst. Moffett doesn’t give a suggestion, nor does Berson; there were no reviews. 7IE-7IE-1882-128 Le marché des fossés, gouache Eng. The market for ditches; Nl. de slotenmarkt. Probably ment is the market on the Boulevard des Fossés. There were no review2s. Moffett suggests CR1346 in a private collection in the USA, Berson follows, adding 1881, CR1346, Le Marché des fossés, gouache, 25×19, Hart collection USA. As a second option, I also render 1882, Potato Market, Boulevard des Fosses, Pontoise, gouache, xx, private iR2. 7IE-1882-129 Paysanne cousant, gouache Eng. Peasant woman sewing. Moffett doesn’t give a suggestion, nor does Berson; there were no reviews. Compare 1880-83ca, Paysanne tricotant knitting, Pontoise, gouache, 54×36, A2015/06/03 iR11;iR2;R2,p394. 7IE-1882-130 Marché aux légumes, gouache Eng. the vegetable market. Moffett doesn’t give a suggestion, nor does Berson; there were no reviews. As an uncertain suggestion I render 1883ca, The Market, gouache, xx, A2002/05/08 iR2;iR11. 7IE-1882-131 Marché à la volaille, gouache Eng. Poultry market. Moffett doesn’t give a suggestion, nor does Berson; there were no reviews. Maybe 1882, The Poultry Market, Pontois, pastel + gouache, 81×65, private iR2. 7IE-1882-132 Les laveuses, gouache Eng. washer women. Moffett doesn’t give a suggestion, nor does Berson; there were no reviews. Compare CCP566, 1878, Women washing clothes on the banks of the Oise, Pontoise, oil, 32×41, A2020/02/06 iR15;R116,CCP566;R2,p394 Compare gouache, drawing and fan =4IE-1879-191, that look quite the same R116,p385. 7IE-1882-133 La récolte des haricots verts, gouache Eng. Harvesting green beans. Nl. sperciebonen. Moffett doesn’t give a suggestion, nor does Berson who refers to the reviews of d’Alq and Durand, who don’t describe this work. Compare 1887, Picking Peas, gouache, xx, private iR2;R2,p394. Note a similar drawing suggests that one of the women holds green beans in her hand. Compare also the fan exhibited as 4IE-1879-200, . 7IE-1882-134 Paysanne couchée sur l’herbe, gouache Eng. Peasant woman lying on the grass. Moffett suggests CR1351, Berson follows, adding 18xx, CR1351, La siesta, Hermitage, Pontoise, gouache, 23×29, xx R90II,p210. 7IE-1882-135 La gardeuse de chèvres, gouache Eng. The female goat keeper. Compare 7IE-1882-120, La gardeuse de chèvres. Moffett doesn’t give a suggestion, nor does Berson; there were no reviews. Compare 1882, Gardeuse de vache, côte des Grouettes, Pontoise, gouache, 46×38, A2010/02/04 iR11;iR2;R2,p394 7IE-1882-136 La moisson, détrempe Eng. the harvest. Note the same title as no. 113. Moffett suggests CR1358, Berson follows, adding 1882, CR1358, La moisson, tempera, 67×120, NMWA Tokyo iR10;iR6;iR59R126,CR1358;. Note the work must be made in the summer of 1881, because the exposition was held in March 1882. 7IE-1882-136+hc1 Sentier sous-bois àis left out in the catalogue. Moffett suggests CR466, Berson follows = CCP573. The CCP also suggests for CCP The eight impressionist’ exposition 1886 catalogue numbers 93-113. also has a bis no. 107 contained of 6 pastels no. 110 + 112 + 113 contained of 2 etchings. so in total Pissarro exhibited 28 works, including 9 oil paintings 4 gouaches 7 pastels 8 etchings 8x indication of place 3x Bazincourt; 4x Rouen; 1x Osny 9x indication of time, season or weather 7x a study all the pastels 0x loans appartient à…, See for the suggestions of Moffett R2,p445/6 and of Berson R90II,p246-248+266-268; Moffett refers to the Catalogue Raisonné of Ludovic Pissarro and Lionello Venturi of 1939, referred to as CR =R126. For the etchings Moffett refers to Delteil Le peintre-graveur illustré XIXe siècle. Paris, 1923 =R138. See for the suggestions of Volume I of the Critical Catalogue of Paintings of Joachim Pissarro & Claire Durand-Ruel Snollaerts of 2005, page 363 and the numbers of the CCP =R116. The CCP only does suggestions for the oil paintings, so nothing for See link for the pictures. reviews Marcel Fouquier 1886/05/16 reviewed M. Pissarro proceeds by small, precise, separate touches, by juxtapositions that are both fine and penetrating in their frank tones. Up close, his paintings look like a collection of variously coloured nail heads. But with the proper distance, perspective is established, the planes deepen, and as the sky is treated with a deliberate lightness, the impression is created of a vast space and an indefinite horizon. R90I,p448. 1886 catalogue R2,p405; iR1 8IE-1886-95 Vue de ma fenêtre par temps gris Moffett suggests CR721 in the Ashmolean museum in Oxford R2,p461, Berson follows; there were reviews of Ajalbert and Darzens R90I,p246. = CCP825. The CCP also suggests Now 1886-88, CCP825, View from My Window, Eragny-sur-Epte, 65×81, Ashmolean Oxford, iR2;iR59;R2,p461. Pissarro reworked and dated this painting 1888. 8IE-1886-96 Prairies de Bazincourt, le matin Moffett suggests CR664 = CCP792, Berson follows; there were reviews of Ajalbert, Fouquier and Geffroy R90I,p247. The CCP also suggests Now 1885, CCP792, Prairie à Éragny, pommier en fleur, 54×65, private iR10;iR94;R116. 8IE-1886-97 Coteaux de Bazincourt, l’après-midi Moffett suggests CR698, Berson follows; there were reviews of Ajalbert, Fèvre and Geffroy R90I,p247. = CCP821. The CCP also suggests Now 1886, CCP821, View of the Hills at Bazincourt, afternoon, 54×65, private iR10;iR94;R116. 8IE-1886-98 Poiriers en fleurs, matin Moffett suggests CR697, Berson follows; there were reviews of Mirbeau and Labruyère R90I,p247. = CCP823. The CCP also suggests 8IE-1886-99 Automne Moffett doesn’t give a suggestion, nor does Berson who refers to the review of Ajalbert, who writes about saddened by autumn. The CCP doesn’t give a suggestion. I render 3 uncertain options CCP779, 1884, The path to Bazincourt, Autumn, 65×54, A1995/11/08 iR10;iR7;iR14;R116,CCP779;R2,p445; and CCP814, 1885, The hills at Gisors, overcast sky, 46×55, A1985/03/24 iR10;iR6;R116,CCP814;R2,p445; and CCP812, 1885, The meadow at Éragny, Autumn, 46×56, A2005/05/03 iR10;iR7;iR14;R116,CCP812;R2,p445; this last one resemblance the view of but misses the sadness Ajalbert writes about. 8IE-1886-100 La cueillette de pommes Moffett suggests CR695 in the Ohara Museum of Art in Kurashiki R2,p462, Berson follows; there were many reviews R90I,p247. =CCP824. The CCP also suggests Now 1881-6, CCP824, Apple Picking, 125×125, OMA Kurashiki iR2;iR59;R2,p462;R116. 8IE-1886-101 Marais de Bazincourt, en automne Moffett suggests CR660, Berson follows; there as a review of Darzens R90I,p247. = CCP813. The CCP also suggests Now 1885, CCP813, The marsh at Éragny, 54×65, xx iR10;iR94;R116. Compare 1886, CCP820, Printemps à Éragny, 53×65, Memphis MA iR10;iR94;R116. 8IE-1886-102 Plein soleil, paysage aux champs Moffett doesn’t give a suggestion, nor does Berson who refers to the reviews of Auriol, Darzens, Fèvre, Fouquier. The CCP suggests also referring to the reviews of Auriol and Fouquier, but they don’t give an detailed discription, so I will render this suggestion with a perhap 1886, CCP830, Peasant women picking herbs, Éragny, 38×46, private iR13;iR10;R116. 8IE-1886-102bis Mère et enfant Moffett suggests CR691 in a private collection in Paris, Berson follows; there were no reviews R90I,p247. = CCP818. The CCP also suggests Now 1886, CCP818, In the garden, mother and child, 39×32, private iR10;iR94;R116. gouaches Note the Critical Catalogue of paintings =R116 doesn’t give suggestions. 8IE-1886-103, Vaches et paysannes gouache Moffett doesn’t give a suggestion, nor does Berson who refers to the reviews of Fèvre and maybe Fénénon, who don’t describe this work. Maybe? 1886, Paysannes assises gardant des vaches, gouache, 28×39, A2014/02/06 iR11;iR14;iR2;R2,p445; or 1883, les gardeuses de vaches, gouache, 30×23, A2003/06/24 iR11;iR2;R2,p445; or 1884, La traite des vaches, Éragny Milking cows, g+wc+p, 24×31, A2017/03/23 iR11;iR2;R2,p445. 8IE-1886-104, Paysannes au soleil gouache Moffett doesn’t give a suggestion, nor does Berson who refers to the reviews of Labruyère, Mirbeau, Paulet and maybe Fénénon, all don’t describe this work. Maybe? 1886, Three women cutting the grass, gouache, 32×42, A2015/06/23 iR11;iR15;iR2;R2,p445. 8IE-1886-105, Gardeuse d’oies gouache Moffett doesn’t give a suggestion. Berson suggests CR1407, Now 1886, CR1407, Little Goose Girl, gouache, 26×36, A2012/02/08 iR2;iR11;iR59;R2,p445;R126,CR1407; there were many contemporary reviews R90II,p247. 8IE-1886-106, Éventail, paysannes gouache Moffett suggests with a perhaps CR1630 owned by John and Marcia Price in Salt Lake City R2,p463, Berson follows; she refers to a review of Fénénon, which could also refer to R90I,p247. Now 1885, CR1630, Peasants Gathering Grasses, fan, gouache, 31×62, private iR10;R2,p446+463;R126,CR1630;R90II,p247+268 Pastels Note the Critical Catalogue of paintings =R116 doesn’t give suggestions. 8IE-1886-107, 6 Études de paysannes pastel Moffett doesn’t give a suggestion. Berson leave them unidentified. Darzens writes about ’the peasant woman carrying a sheaf, and the one putting on her jacket’ R90I,p438. Fénénon about very beautiful pastels, mostly linear, where country girls stretch, dress, rest, eat and labour.’ R90I,p444. Ajalbert about ’this woman putting her nightshirt back on’. R90I,p247 8IE-1886-107-1, femme qui remet son caraco; Études de paysannes pastel Compare 1895-1900ca, Three studies of a woman dressing, pastel, xx, BM London iR10;iRx;R2,p445;R90I,p247 8IE-1886-107-2, Paysanne qui remet sa veste / country girl dressing; Études de paysannes pastel Compare 1882-83, Paysanne nouant son foulard Peasant woman arranging her scarf, pastel, 60×45, Axx iR10;iRx;iR64;R2,p445;R90I,p438+444; and CCP679, 1882, Paysanne dans un champ, 88×48, Buenos Aires MNBA iR204;R116,CCP679;R2,p445;R90I,p438+444;M114 8IE-1886-107-3, Paysanne portant une gerbe / country girl carrying a sheaf; Études de paysannes pastel Maybe? 1881-82, Two Peasant Women, pastel, xx, Harvard Cambridge iR10;R2,p445;R90I,p438;M32 8IE-1886-107-4, country girl stretching; Études de paysannes pastel Maybe? 1880ca, Gardeuse de vache allongée sur un talus Cowgirl reclining on a slope, pastel, 28×37, A2016/05/13 iR11;iR2;iR204;R2,p445 8IE-1886-107-5, country girl resting; Études de paysannes pastel Maybe? 1882ca, étude pour Les Sarcleuses, Pontoise, pastel + drawing, 47×62, A2011/11/02 iR11;iR15;R2,p445; or 1882-83ca, CR1561, Paysanne couchee dans l’herbe et dormant, pastel, 48×46, A2007/12/03 iR15;iR10;aR1;R2,p445;R90I,p444;R126,CR1561. Compare R116,CCP683. 8IE-1886-107-6, country girl eating; Études de paysannes pastel Maybe 1886ca, Seated Peasant Woman Crunching an Apple, pastel, xx, private iR2;iR13;R2,p445 8IE-1886-108, 1 Étude d’enfant pastel Moffett doesn’t give a suggestion, nor does Berson; there were no reviews. Maybe?? 1872, Portrait of Jeanne-Rachel Minette, pastel, xx, private iR2;R2,p445. Etchings Note the Critical Catalogue of paintings =R116 doesn’t give suggestions. 8IE-1886-109, Récolte de pommes de terre eau-forte Moffett suggests Delteil Berson affirms. Now 1886, D63+B48, Récolte de Pommes de Terres, etch ps, 28×22, NGA Washington iR59;R138XVII,no63;R85XI,no48;R90II,p268;M21. 8IE-1886-110-1, Rue de l’Epicerie, à Rouen, eau-forte Moffett suggests Delteil Berson affirms. Now 1886, D64+B47, Rue de l’Epicerie, Rouen, etch ps, 16×14, A2017/06/10 iR11;R138XVII,no64;R85XI,no47;R90II,p268. 8IE-1886-110-2, Rue Malpalue, à Rouen eau-forte Moffett suggests Delteil Berson affirms. Now 1885, D53+B42, La rue Malpalue, à Rouen, etch, 50×43, A2017/12/14 iR11;R138XVII,no53;R85XI,no42;R90II,p268. 8IE-1886-111, Vaches et paysage eau-forte Moffett suggests Delteil Berson affirms. Now 1885, D59+B37, Prairie et moulin à Osny, etch, 16×24, A2017/06/15 iR11;R138XVII,no59;R85XI,no37;R90II,p268. 8IE-1886-112-1, Port de Rouen, effet de pluie eau-forte Moffett suggests Delteil or 65, so does Berson. I think Delteil 65 is the same of Beraldi 46, titled Place de la République à Rouen, avec tramway’. And Delteil no. 44 the same as Beraldi no. 38 titled Effet de pluie, place de la République à Rouen’. The Place de la République at Rouen is near the Seine, but doesn’t border it. Still, Delteil 44 is one of the view etches depicting rain, so I think it is a good option. Delteil no. 65, doesn’t depict rain and prominently shows a tramway, so I don’t think it is a good suggestion. 8IE-1886-112-2, et paysage eau-forte Moffett doesn’t discern 2 works, nor does Berson. As a very uncertain suggestion I render 1885, D55+B26, Paysage à Rouen, Côte Sainte-Catherine, etch, 13×18, A2018/05/08 iR11;R138XVII,no55;R85XI,no26 8IE-1886-113-1, Paysage à Rouen eau-forte Moffett suggests Delteil so does Berson. Now 1884, D50+B27, View of Rouen Cours-la-reine, etch, 15×20, MFA Boston iR59;iR10;iR163;R138XVII,no50;R85XI,no27;R90II,p269;M22 8IE-1886-113-2, paysage à Osny eau-forte Moffett suggests Delteil or 62. Berson only renders this is maybe Beraldi no. 40 Église à Osny’, or no. 54 Paysage à Osny’. Delteil no. 61 is titled Paysanne dans les choux’, so it doesn’t seem a good suggestion. Camille Pissarro at the Salon My main sources are the Salon database =iR1 and the Critical Catalogue of Paintings =CCP=R116. See link for the pictures. The Salon database indicates that Pissarro was born at Saint-Thomas Antilles, a Danish colony. Also called a french colony. Pissarro was a pupil of A. Melbye and Corot iR1. 1864 Pissarro lived 57, rue de Vanves, Paris iR1 1865 Pissarro lived at La Varenne iR1 1866 Pissarro lived rue du Fond-de-l’Ermitage, Pontoise iR1 1868 Pissarro lived 108, boulevard Rochechouart, Paris iR1 1870 Louveciennes Seine-et-Oise iR1 Given correspondence addresses 1865+66 M. Guillemet, 20, Grande-Rue, Paris Batignolles 1869 M. Carpentier, 8, boulevard Montmartre, Paris 1870 M. Marin, 52, rue Lafitte, Paris S1859-2472, Paysage à Montmorency Debut of Pissarro at the Salon with a view on Montmorency near Pontoise R6,p40;R3. Almost certainly now 1858ca, CCP37, Donkey in front of a farm, Montmorency, 22×27, Orsay R116 this was not in the CR of 1939. Note signed as C. Pizarro’. Two critics positively mention the work R116,I,p111. SdR1863-468, Paysage A very uncertain suggestion 1862, CCP57, donkeys at pasture, 32×75, A2015/11/13 iR2;iR11;R116 = CR19. SdR1863-469, Etude A very uncertain suggestion 1862, CCP59, white horse and tipcart, 24×33, private iR2;R116 =CR21. SdR1863-470, Village A very uncertain suggestion 1863, CCP70, village corner, women chatting, 40×52, A2002/11/06 iR2;iR14;R116 =CR27. S1864- 1558, Bords de la Marne Now 1864, CCP90, Banks of the Marne, 82×108 AGM Glasgow iR2;R116 this was not in the CR of 1939 . S1864- 1559, Route de Cachalas, à La Ruche-Guyon Probably ment to be Route de Clachalôze à La Roche-Guyon, see map. Maybe 1862, CCP55, Promenade sur un chemin La Roche Guyon, 37×28, private R116 this was not in the CR of 1939. Compare 1865ca, CCP105, Donkey ride at La Roche-Guyon, 37×52, private iR2;R116 =CR45. S1865-1723, Chennevières, au bord de la Marne Now 1865ca, CCP103, Banks of the Marne at Chennevières, 92×146, SNG Edinburgh iR2;R116 =CR46. S1865-1724, Le bord de l’eau A very uncertain option 1863-5ca, CCP80, River bank and Barge at le Roche-Guyon, 10×19 or 46×72, A2000/06/27 or MCP Pontoise iR112;iR2;iR15;R116 this was not in the CR of 1939. S1866- 1564, Bords de la Marne en hiver Now 1866, CCP107, banks of the Marne in winter, 92×150, AI Chicago iR2;R116 =CR47. S1867-R Pissarro and many others was rejected for the Salon R116I,p122 S1868-2015, La côte de Jallais Now 1867, CCP116, Côte des Jalais, Pontoise, 87×115, Metropolitan = CR55. Compare 1867ca, CCP120, View of the L’Hermitage, Côte des Gratte-Coqs, 70×100, Unicef Cologne. This view was seen from the Rue de la Côte-du-Jalet now Rue Victor-Hugo. Maybe Jallais’ and Jalet’ are the same. S1868-2016, L’hermitage Now 1867ca, CCP115, Le Jardin de Maubuisson, Pontoise The Gardens of l’Hermitage, 82×100, NGP Prague iR2;R116 =CR52. S1869-1950, L’ermitage An uncertain suggestion 1867ca, CCP121, The hills at L’Hermitage, Pontoise, 151×206, Guggenheim NY iR112;iR2;R116 =CR58. S1870-2290, Automne Likely 1870, CCP157, Houses at Bougival landscape at Louveciennes, 89×116, PGM Los Angeles iR2;R116 = CR87. S1870-2291, Paysage A very uncertain suggestion 1869ca, CCP136, Louveciennes, the brook at Montbuisson, 46×56, private iR2;R116 this was not in the CR of 1939. Camille Pissarro at the Exposition Universelle 1889, Exposition Centennale =EU-C-1889 R231/iR40 EU-C-1889-541, Soleil d’hiver app à la ville de Paris EU-C-1889-542, La Route idem? 1900, Exposition Centennale =EU-C-1900 R231/iR40 EU-C-1900-516, Entrée de village à M. Ernest May EU-C-1900-517, Ferme à Eragny à M. Hessel EU-C-1900-518, Paysanne assise à M. Ch. Casburn EU-C-1900-519, Une Rue à Sydenham à M. Pissarro EU-C-1900-520, Soleil couchant au Val-Hermé à Mme A. Dureau EU-C-1900-521, Effet de neige à M. Lucien Dreyfus EU-C-1900-522, Vue de Rouen à M. Albert Meyer EU-C-1900-522bis, Effet de neige près Pontoise à M. Max Rodrigues Camille Pissarro at regional exhibitions Pissarro also exhibited at the following regional exhibitions. 1862 in Toulouse iR1. 1862 Rouen R116I,p361 1866/03/24 Bordeaux R116I,p361 1866/07/22 in Lille R248;R116I,p361 1868/07/02 – 11/15 in Le Havre R116I,p361 1872/03/31 – 05/15 in Rouen R116I,p361 1873/02/15 – 03/23 in Rheims R116I,p361 1874/02/07 – 03/23 in Rheims R116I,p362 1876 in Carcassonne iR1. 1876/01/06 – 03/06 in Pau R116I,p362 1877/01/08 – 03/08 in Pau R116I,p362 1878/01/15 – 03/15 in Pau R116I,p362 1882/09 – 1882/10 in Tours R116I,p362 1884/05/31 – 07/15 in Nancy R116I,p362/3 1886/10/10 – 1887/01/15 in Nantes R116I,p363 Recommanded citation “Camille Pissarro, an account of his exhibited works. Last modified 2022/04/30. 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FAIR FAX AVE, SUITE 400LOSNew York/Newark Area, Newark, New Jersey Arrival Port YMMU4161654 [1]18 pcsAIRLESS CONTAINER50,000 SETSPKG PO 2164 1BLISSWORLD PO 122460INVOICE & DATE YW PKG1910001 & 201911145096 HONOUR LANE SHIPPING LIMITEDTIANJIN BRANCHDeparture Port Pusan,South Korea LOGFRET York/Newark Area, Newark, New Jersey Arrival Port FDCU0452715 [1]1621 pcsGLASSWARE PO 4500233267,4500234063,45002321542019-11-13 201911142775 HONOUR LANE SHIPPING Port Pusan,South Korea LOGFRET York/Newark Area, Newark, New Jersey Arrival Port TCNU4891584 [1]6 pcsGLASSWARE2019-11-13 2019111352567 YONWOO CO., 84BEON-GIL, GAJWA-RO,SEO-GU,INCDeparture Port Pusan,South Korea LOGFRET WEST SIDE AVE,NORTH BERGEN, BLISSWORLD LLC145 S. FAIR FAX AVE, SUITE 400LOSLong Beach, California Arrival Port CBHU5537550 [1]9 pcsPLASTIC CAP2019-11-12 2019111333039 GLOBELINK UNIMAR LOJISTIK OPTIMA IS MERKEZI K6 NO13 GDeparture Port Valencia,Spain LOGFRET WEST SIDE AVENUEMiami, Florida Arrival Port INBU5359380 [1]10 pcsDRIED APRICOTS HS 081310 FDA REGISTRATI ON NO. 188039697902019-11-08 2019111311067 LOGFRET Port Rotterdam,Netherlands LOGFRET INC..Oakland, California Arrival Port TTNU8241023 [1]3419 pcsCHEESE2019-11-12 2019111311062 LOGFRET Port Rotterdam,Netherlands LOGFRET INC..Oakland, California Arrival Port TEMU9042208 [1]11 pcsFROZEN GOATS CURD2019-11-12 201911139920 CL SYNERGY PVT LTD30 R A DE MEL MAWATHADeparture Port Xiamen,China Mainland LOGFRET WEST SIDE AVENUELos Angeles, California Arrival Port MRKU3518358 [1]18 pcs01X40HC CONTAINER FCL/FCL 183 0 CARTONS CONTAINING 915 CTNS - JCT'S TOASTED CHIP COCONUT A200301 EACH 22 LB NETT 91 5 CTNS - JCT'S TOASTED CHIP CO CONUT A200312 EACH 22 LB NE TT TOTAL NETT WEIGHT2019-11-12 2019111249900 LOGFRET LE HAVRE300 BOULEVARD JULES DURANDDeparture Port Le Havre,France LOGFRET INC.,6801 WEST SIDE AVENUENew York/Newark Area, Newark, New Jersey Arrival Port EGHU3411815 [1]93 pcsMUSICAL INSTRUMENT OF CASES FOR MUSICAL INSTRUMENT HS CODE 4202925000 HS CODE 92099480002019-11-11 2019111249084 LOGFRET INC370 BLVD JULES DURAND 76600 LEDeparture Port Le Havre,France SHIPCO USA127 MAIN STREET CHATHAMNew York/Newark Area, Newark, New Jersey Arrival Port TCNU2069130 [1]322 pcsVALVES/HOSES HYDROLIC 20 CNTS ON 2 PALLETS VALVES HS 90329000 172 KGS CBM 4 PKGS SLAV HOSES HYDROLIC HS 391731 2730 KGS CBM 1 PKGS HOSES HYDRAULIC HS 39173100 189 KGS CBM2019-11-11 2019111248778 LOGFRET INC370 BLVD JULES DURAND 76600 LEDeparture Port Le Havre,France SHIPCO USA127 MAIN STREETNew York/Newark Area, Newark, New Jersey Arrival Port EGHU9146175 [1]197 pcsFOOD COLORING/PRINTING MACHINERY PARTS 2 PKGS FOOD COLORING HS 3203009000 1300 KGS CBM 5 PKGS PRINTING MACINERY PARTS HS 320820900 2147 KGS CBM 2 PKGS BRODBEAN PEPTONE HS 350400 KGS CBM2019-11-11 2019111241483 GLOBELINK UNIMAR LOJISTIK OFIS PARK2, CESSAS PLDeparture Port Valencia,Spain LOGFRET WEST SIDE AVENUECharleston, South Carolina Arrival Port BMOU4247140 [1]16 pcs9 M3 TRUCKMIXER HS CODE 8 47431002019-11-11 2019111226621 MONTIS BVSTEENSTRAAT 2Departure Port Rotterdam,Netherlands LOGFRET INC4751 BEST ROAD MONTIS AMERICA INCPO BOX 1728Charleston, South Carolina Arrival Port EMCU6029879 [1]25 pcsFURNITURE FURNITURE HS CODES 9401710 / 9401800 / 94036092019-11-11 2019111219335 GLV INTERNATIONAL 1995 LTD100 MOSHE SHARIRA Port Haifa,Israel LOGFRET WEST SIDE AVE. LAMBRO INDUSTRIES, ALBANY AVENUE AMITYVILLENew York/Newark Area, Newark, New Jersey Arrival Port ZCSU7042348 [1]- pcsOF ALUMINIUM VENTING DUCT INVLAMUS26/019 OR DER PO0049688 HS CODE 83079090032019-11-10 2019111211398 GLOBELINK UNIMAR LOJISTIK OPTIMA IS MERKEZI K6 NO13 GDeparture Port Valencia,Spain LOGFRET WEST SIDE AVENUENew York/Newark Area, Newark, New Jersey Arrival Port CAXU9853965 [1]1167 pcsPOLYESTER & PP MACHINE MAD E CARPETS HS57024 2 BED CO VER HS6304192019-10-24 2019111211237 GLV INTERNATIONAL 1995 LTD100 MOSHE SHARIRA ST. MA'ALOTDeparture Port Haifa,Israel LOGFRET WEST SIDE AVE GLV INTERNATIONAL USA, INC874 WALKER ROAD STE C DOVER, DENorfolk, Virginia Arrival Port TCNU2301605 [1]5 pcsOF ALUMINIUM VENTING DUCT+ PLASTIC PARTS EXP INV THD31/19 HS CODE 830790903 AND 3926909052019-11-10 2019111211236 GLV INTERNATIONAL 1995 LTD100 MOSHE SHARIRA ST. MA'ALOTDeparture Port Haifa,Israel LOGFRET WEST SIDE AVE GEA PARTS, LLC1294 PORT ROADNorfolk, Virginia Arrival Port TCNU2301605 [1]279 pcsOF ALUMINIUM VENTING DUCT EXP INV GE69/19 ORD ER NO. BPA10123562019-11-10 ZCSU8667319 [1]6 pcsOF ALUMINIUM VENTING DUCT EXP INV GE83/19 ORD ER NO. BPA1012356 HS CODE 8307909032019-11-10 2019111164779 LOGFRET Port Barcelona ,Spain LOGFRET INC..New York/Newark Area, Newark, New Jersey Arrival Port UETU4144060 [1]25 pcsS T C SPARKLING WINE 8662 50 LTRS HS CODE 222019-11-10 2019111164646 LOGFRET POLAND SP Z KRAKOWSKA 106Departure Port Stadersand,Federal Republic of Germany LOGFRET BEST RD. SUITE 205Savannah, Georgia Arrival Port HLXU5374875 [1]17 pcsMEDICAL EQUIPMENT LANCETS FOR DIABETICS 2019-199, 2019-179, 2019-165, 2019-199; INVOICE VAT NO. SFSE-605/19/EX2019-11-10 2019111159071 LOGFRET POLAND SP Z KRAKOWSKA 106Departure Port Stadersand,Federal Republic of Germany LOGFRET BEST RD. SUITE 205Charleston, South Carolina Arrival Port CAXU3151998 [1]- pcsMEDICAL EQUIPMENT LANCETS FOR DIABETICS 2019-190 ; INVOICE VAT NO. SFSE-604/19/EX2019-11-10 2019111132318 IHC FUNDEX EQUIPMENT BVHOUTKADE 50Departure Port Zeebrugge,Belgium LOGFRET BEST ROAD, SUITE 205 SHEA BROTHERS LLC609 SOUTH 20TH STREETGalveston, Texas Arrival Port NC [1]4 pcs1 X FUNDEX FDE50HS HYDRAULIC ROTARY HEAD NEW SERIAL NR X X 0 HS CODE 843041002019-11-08 2019111129965 LOGFRETBATIMENT LARCHERDeparture Port FOS Sur Mer,France LOGFRET WESTSIDE AVESavannah, Georgia Arrival Port UETU2732640 [1]699 pcsPLASTIC OFFICE PDTS OF PLASTIC OFFICE ITEMS2019-11-09 Cherbourg-en-Cotentin à l'arrivée de la 2e étape du Tour de France - Dossier de pressePublished on Jun 16, 2016Retrouvez les détails de l'arrivée du Tour de France à Cherbourg-en-Cotentin et les festivités prévues durant le week-end des 2 et 3 de Cherbourg-en-Cotentin - service communication

boulevard jules durand le havre street view